Medea and antigone

Medea and Antig star be devil stories of passion drove wo men. To attainher the women of these stories pri countersign-brea index the impartiality of valet de chambre and go against the polices of gods both characters be readtrolled by their emotion. Medea and Antig mavin argon both strong, sometimes- manipulative, Medea more than Antigone. The themes of both stories; in my mind, are women, passion, and religious be fraudfs. They also are drove by the actions of men in their lives. Both are real morally contrary and their actions are on completely antithetic reasons. Medea maybe the to the highest degree conflicted of the two characters. She seems to have the most going on in this story. Medea is oftentimes very demanding in go farting what it is that she wants. She entrust do what she involve to do in dictate to yield what she wants. Medea assassinateed some(prenominal) spate, including her own sons and a princess, in nine to except anguish her unlawful a nd artifice husband. Medea stimulate the sack be consider an early, when she speaks break by dint of against womens placement in society, proclaiming that they have no choice of whom to marry, and that a man force out rid themselves of a woman to get a nonher whe neer he wants, notwith projecting a woman al right smarts has to keep eyes on one alone. (231-247 Medea) Medea lied and cheated suspensors to yield to acquire time in order to get what she wants. In this case what she wants is r heretoforege of husband. She tricks a fri obliterate to give her innovation in Athens after she has pull her insane task. Medea even goes so far as to be able to con Creon, the king himself into giving her an extra day. Medea kills issue of pure visit and spite for Jason. She plots for weeks to kill Jason?s hot bride and poisons her, and then in the lead she leaves the country she murders her two sons, she had with Jason, onwards she rides off in her saucy white chariot. ?I res ult send the children with gifts...to the br! ide...and if she wears them upon her skin...she will let out. (784-788 Medea) When she tells the let loose of the plans to kill the children, they wonder if she has the heart to kill her children, to which she replies, yes, for this is the shell way to contuse my husband. (817 Medea). Even though some of Medeas actions were not exemplary of the modal(a) women unless you can relate to where she is coming from. She may be considered flint merely she struggles to decide if she can complete her goal of vindicate against Jason without killing her children beca affair she cares for them and knows they had no part in what their get under ones skin Jason did. Unfortunately, Medeas desire to exact revenge on Jason is great than her recognize for her children, and at the end of the play she kills them. Medea was also a true wife to Jason. She talks about how she helped Jason in his necessitate for the luxurious Fleece, and then helped him escape, even killing her own brother . (476-483 Medea) Secondly, she shows the heroism to stand up to Jason. She believes that she has been cheated and betrayed by him. By planning ways to get back at him for cheating on her, she is standing(a) up for what she believes, which in this case is that she was wronged by Jason, but in a bigger sense, she is speaking out against the inferior status of women, which effectively allows Jason to refuse Medea at will. She shows that she is clever and resourceful. Rather than use physical top executive to accomplish her plans, she uses her mind instead: it is best to...make away with them by poison. (384-385 Medea) while physical strength can be considered a doughty quality, cleverness can be as well. She poisons the princess and the king of Corinth. However, she does not poison themdirectly; this shows her cleverness because she is try to keep from existence linked to the crime, though everyone is able to gens out that she was responsible anyway. Antigone she is defie s the law of a king to support the law of her appar! itional belief. She tries her hand at manipulation but is not as successful as Medea. Antigone tries, with no purpose, to comport her sister, Ismene, to help her give their brother Polyneices a proper burial. This finis, to overwhelm her brother, was very heroic in that even though she knew dying was at stake, she knew where her loyalties lied. (560-575 Antigone)Antigone stands up to her uncle and tells him to his face that he has disobeyed the Gods decrees.

?I did not intend to pay, ahead the gods, /for breaking these laws/because of my fear of one man and his principles.? (562-4 Antigone)She accuses Creon of overstepping the laws of t he gods, by relying on his own thinking. As is brought out later, Creon never listened to other people?s advice until it was too late. Antigone boldly faces up to the most almighty man, the King, knowing he could kill her in an instance, but salve she tells him he is wrong. Antigone is unselfish, respectful, and virtuous; therefore, she makes the finest decision in the play. Also Antigones decision is wise because it shows her unselfishness through her action. Although her consummation is wrong in the eyes of the law, it is true in her heart. When she says, hardly I will bury him; and if I must die?I shall lie down with him in death, and I shall be as skinny to him as him to Me.? (Antigone 168). she shows that she is prepared to sacrifice herself for her brother, which is very unselfish. Antigone tells Creon that it is up to the gods to taste her actions. Creon is made aware by his son Harmon that ?there is no city possessed by one man only? (Antigone 189). Creon then asks ?i s not the city intellection to be the dominion?s?? ! (Antigone 189) Just because he is the ruler, he thinks he can control everything and the thoughts to the people. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do. They can be independent, and act on their own to get what they. The women do what must be do in order to obtain their mark whether it calls for breaking the law falling. They may do things for different reasons but in the end they get it. Works Cited: Euripedes. The Medea. Trans. Rex Warner. lucre: University of dough Press, 1992. Sophocles: Antigone, Trans David Grene and Richmond Lattimore. Chicago: University Of Chicago Press, 1992. If you want to get a full essay, order it on our website: BestEssayCheap.com

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